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"The pulse of a person knows no religion. It's just there - like music": Giora Feidman, clarinettist and instrumental soloist of klezmer music. The portrait was taken on July 21, 2025 in Zurich.
KEYSTONE/Gaetan Bally
Giora Feidman played for Spielberg and in ghetto musicals, but today he wants more: music as a spiritual protest. In Zurich, the clarinettist spoke about peace, God and Swiss chocolate.
Maestro Feidman, how do you manage to stay positive in such a complex and often warlike world?
For me, music is not an art form - it is a divine language. Music knows no religion, but it is one itself. It connects people on a deeper level. I play today because I believe in a better world. And music can make it possible.
You live in Tel Aviv and Hamburg. Where do you feel at home?
This planet is my home. Whether I'm in Japan, Rio or Switzerland - it doesn't matter, I play the same music everywhere. Because it doesn't need a translator. Music is universal. And you know what?
Yes?
I especially like playing in Switzerland, I really love it. And the chocolate is incredible (blinks his eyes).
«I believe God sent me to bring the message of peace to the world with my clarinet»
Giora Feidman
Clarinetist legend
When you look back on your rich life - what is your greatest wish?
My only wish is to live in peace. In the music, with people, with the audience. Every breath is a message from God. And I want us to live more with our hearts again - not just with our heads.
And what would you like to pass on to younger generations?
Be servants of society. My father taught me that. Success is nothing without responsibility. The world doesn't change through talk, but through action - through love. I would like us to educate children not only to achieve, but to be more human.
You talk a lot about spirituality. Is this your driving force?
For me, religion is the education of the soul. I am Jewish, but I also feel connected to Islam and Christianity. A person's pulse doesn't have a religion. It's just there - like music. I have many Palestinian friends. It's not about origin. It's about the heart.
Your latest project is called "Revolution of Love". So it's about love?
Yes, together with my friend, the Iranian composer and Muslim Majid Montazer, we have created a musical manifesto. A revolution of love - as a peaceful protest. We say to the audience: 'You are not just a spectator, you are part of this movement'. If even 10% see the world differently afterwards, then we will have achieved something great.
What can your fans expect from your concerts in Switzerland?
They should listen with their hearts. Our music is not about pleasing, it's about touching. I've been on stage for 75 years. I have learned that every note can be a spark of hope. And people feel that. It's not an illusion, it's real. That is my life.
You were seriously ill - and yet you carried on playing. How did you manage that?
Music is my medicine. I was in hospital and the head doctor said: "Let him play - it will cure him." And he was right. The clarinet is my elixir of life. I believe God sent me to carry the message of peace into the world with my clarinet.